Trussell Trust – Wesbite

The Trussell Trust website is great.  It’s informative, easy to navigate and has all the information you’d possibly need to know about their work, their origins, their values and their foodbank locations.  There is plenty of contact information if you need to get in touch and overall the website is exactly in line with their mission statement.  It is informative, encouraging, and ultimately helpful in offering both support and information.  The style is something that I assume I would have to adhere to, or at least stay marginally within the line of.  They use green and white mostly, with flashes of other bright colours but mostly on their infographics.

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As you can see, the website is well thought out and functional, unlike the actual donation points in supermarkets, (My example is the Tesco Extra supermarket in Cardiff).  The site in the supermarket seems ill thought out, and not nearly as impactful as they appear from their website and mission statement.  The donation site in Tesco completely lacks the empowering and encouraging values that they hold, and is anything other than innovative.  I think that rather than this being a miscommunication from the Trussell Trust to the various foodbanks across the country, I imagine that they reach a stumbling block in the supermarkets themselves.  How punchy and empowering can you be when Tesco is breathing down your neck because I’m just not sure of the issues I might come across if this were more of an ‘in your face’ issue.  Were there big blatant signs everywhere then donations would probably increase, but I’m not sure of the legality or ethical issues that might face.  Or unless I’m totally wrong and the manager of the Tesco Extra might be 100% willing to trial some things in their store and see how it turns out.  Ultimately I’d just labour the point that whether the food is going in someone’s car and to their home, or whether it’s being put in the donation sites for the Foodbank, Tesco still gets its buck.

Back to Graphics! Persuasion time.

I’ve been really looking forward to this project.  I knew it was coming months and months ago having asked a few of my friends in third year what our final term module would be, so I spent a little bit of time thinking about what I’d pick.

Our new brief is called Persuasion.  We have to find a client/organisation/group that represents something we are passionate about, something that we feel strongly about.  Over the last 18 months or so I’ve been speaking to the Cardiff Foodbank about helping out with donations, so I knew that they were the group I wanted to work with.  I feel very passionate about this issue as it’s something close to my heart, but it frustrates me when I see the donation sites in supermarkets with a thin layer of cereal boxes and some tins of beans and nothing more.  I feel like a lot more could be done to really hammer home this issue, and to ultimately increase donations.

This was the five slide presentation I gave to my peers following an initial few days of research and deciding who we wanted to represent.

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What I found surprising was that several people in my peer group had no idea Cardiff even had a Foodbank, even less of an idea of just how many people rely on these foodbanks.  I also showed a screenshot of the Cardiff Foodbank Facebook page, and asked why it is that in our reasonably sized city with hundreds of thousands in, their Facebook page has a paltry 700 or so likes.  It doesn’t make any sense, and there’s clearly a communication problem here.  As shown in the slideshow I presented some statistics (gathered from the Trussell Trust website and news articles) which showed quickly the scale of the crisis.  Certainly, the issue of why so many people are having to use foodbanks is much larger, and something I’m aware of.  The issue of government cuts, benefit sanctions, and general mismanagement of the welfare system is putting the people of the UK at risk.  People are genuinely starving, with well publicised cases of parents missing meals in order to feed their children, and the well-known story of ‘heat or eat’, where families are being forced to choose between hunger or warmth.  Those are rather large political issues, something that I’m poorly equipped to tackle on my own.  Something more manageable would be what I feel is the simple issue of increasing donations to the Foodbank, and how best to do this.

Standing in front of my fellow students, I asked them “Do you donate to the Foodbank when the donation sites are in supermarkets?”  Nobody raised their hands.  I found this disheartening, but expected, asserting that in reality none of us are poor.  None of us are poverty-stricken.  We can all afford to eat, and the very fact that we’re all sat in University together means that we’re probably all fine.  We can all spare 40 or 50 pence each time we go to Tesco on a few tins of something for the Foodbank, but none of us do.  Why is that?  I feel like there’s a real disconnect between people’s attitudes and their actions.  People want to donate and most would be happy to do so, but I feel like the amount of donations doesn’t match the amount of people that are willing to donate.  Why is this happening?  What’s going wrong that the Foodbanks are often short of certain foods, and why the Foodbank will run out and people have to be turned away simply because they didn’t get enough donations that week.  In my opinion that is a tragedy.  Nearly every single person I have spoken to would gladly donate, and yet the Foodbank struggles to feed all the people that it needs to.

After my presentation I posted a status on Facebook.

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As you can see, everyone’s responses are very similar.  Either they’re too preoccupied whilst doing their own shopping that they simply forget, and other people saying that the locations within the stores are placed so that they’re seen on the way out rather than the way in.  This seems an obvious thing to change.  Something happens when you go into the supermarket, and I believe it goes something like this – you get in, you see the Foodbank sign and think “Oh yeah I’ll pick something up” but then the moment you get your trolley and start focussing on what it is that you need, you forget.  A harmless mistake.  This got me thinking about prompts, and that if people were gently nudged or reminded then this issue would be resolved quite quickly.  In practice obviously it will require behaviour change and the compliance of the ‘Big’ supermarkets (not ASDA now, obviously.) but I think it’s something well within reach.

Getting opinions on Facebook has given me a great starting point because those who commented are a mixture of ages, genders, different professions and also students.  It gave me an initial insight into what sort of things are deterring people from donating.

After the presentation I walked straight over to the Tesco Extra supermarket across the road from the campus and did some snooping.  The first thing you’re greeted with is this.

It’s a fairly large piece of signage with the donation bin below it.  It has just about enough information and is in the immediate entrance of the store.  As you can see the crate is sort of 1/3 to 1/2 full with various non-perishable items in it – dried pasta, cans, cereals.  But that’s it.  That is the only thing in the store which represents the Foodbank or encourages donations.  From the looks of what was in there, somewhere between 20 and 30 people had donated one thing each, which is just not okay.  That store must see thousands of people a day, and that’s all that was in there.  It says a lot about the scheme that they’ve only got the one little crate there.

Throughout the store then I couldn’t find a single other thing that alluded to the Foodbank or suggested in any way that Tesco were operating a collection site from within the store.  And again just as the people on the Facebook thread pointed out, you see it on the way out but only after you’ve finished your own personal shopping.

As you can clearly see, there isn’t a single other thing in the store that says anything about a Foodbank.  It is easy to become distracted, you focus on your shopping list, and if you’re anything like me you don’t want to spend any longer in there than you have to.  A perfect example of these ‘prompts’ is the ones used by Tesco itself to sell its own produce.  What would be the harm if all those ‘Brand Guarantee’ hangy things on the shelves said ‘I’m needed in the Foodbank’ or something similar.  Tesco would still get its money from the sales of these items, would still turnover its millions, but the Foodbank would have plenty of food to go around.  The value items are always on the bottom shelves where your eyes aren’t looking, with the pricey, well-packaged stuff sitting at just about eye-level so you spend more on the same stuff.  What would be the harm in subtly pointing consumers in the direction of the cheaper non-perishable items, to possibly stick one in the trolley because it’ll only be a couple of extra pence on top?

Of course, a supermarket is aisle after aisle of self-promotion.  They want you to buy their products in their stores and stay as their customers.  Supermarkets have incredible brand loyalty, which I think is something to be marvelled at but also capitalised on.  My mum is an ASDA shopper, I’m a Tesco, and the in-laws are Morriston.

I have contacted the Cardiff Foodbank through Facebook, which is how I’ve been in touch with them before, and have also been pointed in the direction of a lady called Catherine who works with Cardiff Foodbank.  They have replied, but thus far it’s only with a telephone number but hopefully after a phone conversation I’ll be able to better explain the project and my aims.  I’m really looking forward to this, and to be honest I hope it’s something that really has an impact.  Ultimately what I’d like is for this to become a real and tangible thing that can be seen in supermarkets, and something that dramatically increases donations.  I’d also like to speak with the manager of the Tesco Extra supermarket and find out if they have any quantifiable information on the numbers of donations, or if they receive any comments or suggestions.

Port Eynon

I was really looking forward to our stay at Port Eynon, as once again I hadn’t visited the Gower in years and years and was really eager to explore and see what other things I could find.  Admittedly, the view here was for me a lot more impressive.  You’re met with vast expanse of sea and land and there’s something pretty humbling about being there.  For me, this area better expressed that raw sublime power than at the Botanical Gardens where the artificial is paraded next to a sign that tells you what plant you’re looking at.

Being in Port Eynon and getting to enjoy staying there for a few days was really incredible.  It was wonderful waking up right next to the sea and hearing it crash late at night, seeing the moon’s reflection on the water and really just spending the time taking it all in.  I spent time doing some panoramic drawings on my first day which certainly show you your surroundings, but more importantly cropped up the issue of what you’re leaving out, and why.  I like to be quite meticulous, and enjoy spending the time getting things just how I want them.  That’s quite hard to do on a cliffside when it’s three degrees and you haven’t moved in two hours, but making notes and observing over the few days has given me a much better perspective on what it is I’d like to be documenting; what it is that I take from the landscape.

My view of the landscape is one shaped by the pieces it’s made up of – what you can see as a view in its entirety, but also what that view is made up of.  We were tasked with completing a large scale landscape drawing with a small box in the centre of a ‘macro’ landscape.  For example sitting at the beach and drawing the large sea view, or the beach with the rocks on it and cliffs in the distance, but in the central macro square would be a magnified drawing of the lichen on those rocks, or the marks made by the waves in the sand.  You get the idea.

The pictures I had taken of the waves crashing into the rocks are something I think I will find it hard to recreate.  I remember the deafening sound of the waves, the way the foam looked as it settled in the rock pools only to be bombarded again and again by more and more waves.  That’s something I personally believe is hard to explain through drawings, especially given that we didn’t have the luxury of time.  The still shots of the sea are beautiful though, and something that I think shows a certain texture.  Obviously I can’t take rubbings from the sea, but the spray coming up and the different lines and shapes in the water is something I think could be really interesting to try and recreate.  The sound and ferocity and power all coming together is something I don’t feel is tangible or can be harnessed in a simple way, if at all.  Turner’s seascapes are fascinating and dream like, showing the light playing on the surface of the water, but I don’t think that’s what he was looking at.  It’s something raw and powerful and sublime, something that makes you feel really quite small.  I don’t know if there’s a way I could recreate what I saw and do it justice.

The video below is one I took when watching the sea, and as you can see it’s something pretty awe-inspiring.  How could I possibly do this justice?  And if you’ve ever seen the sea, and how it moves and behaves and how powerful it is when you get up close, then you’ll know what I mean.

 

SEBON – Development | Ideas | Research

There are some aspects of the brief that have really stood out for me.  The mention of not wanting to look like a country garden has steered me in a direction very well away from what you’d traditionally consider soap and feminine cosmetics’ branding to look like.  Certainly I know what not to design.

Not that there’s anything wrong with any of the above – they certainly have their place in the market, and certainly in the branding of cosmetics, but myself and the client want to stay away from words like ‘pretty’ – like saying something looks nice, but with more perfume.

Staying with the Welsh theme, and not because the brand is particularly preachy about their Welsh roots, but it feels appropriate to delve into the Welsh theme to see what I can pull out.  Certainly not dafodils or dragons, but I think tying in the often dramatic Welsh landscape and sublime views and nature with the branding of Sebon could be the perfect answer to the ‘unexpected’.  It just depends on where I end up!  So far I’ve been looking at the wonderful Welsh weather, something I’m only too familiar with.  Jet black skies against bright green hillside is a personal favourite – you know when the sun’s trying to come through just after a thunderstorm and for a few moments everything looks like the contrast has been wapped up to 100%?  Yeah, that stuff.  It’s pretty good.

Also in the ‘Welsh’ theme, I’ve started doing a little bit of research on coal (of course).  I’m pretty sure in a thesaurus if you look up Wales I’m pretty sure coal is a synonym…  But again, something about this powerful jet black material and it’s qualities in the cosmetics world are something I’ve explored.  Charcoal soap is a thing.  Ideal.  I really want this branding to pack a punch, which has also absorbed the product and packaging design role too.

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I stumbled upon these pictures of coal miners’ hands and they’re amazing.  They have so much history and so much to tell, and the coal stains and dark palms are almost mesmerising to me.  I’d started in my sketchbook by throwing ideas around about coal, handprints, mining and the use of a hand motif throughout the brand, so finding these images was a defining moment.  I need to have a better look at what this brand is going to actually look like…